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Original artwork by Maria Ayllon | La Luz Gallery

Jul 18, 2025

Why I Paint en Plein Air

2 min read

Why I paint en plein air

There’s a stillness that settles when I paint outside — the kind you can’t plan for, only meet.

Painting in the open air — en plein air — is a practice that brings me back to myself, again and again. In the dappled light of the redwoods or the shifting skies of New Mexico, I find not just subjects to paint, but a conversation with the world that quiets my mind.

The air itself paints with me

Outdoors, the light is alive. It moves. It changes its mind. It asks you to respond, not control. There's no lamp in any studio that can match the shifting of morning sun through trees or the cool gray of fog rolling across a hillside.

The wind, the bugs, the hum of the world — it all becomes part of the painting. You give up the illusion of precision and control, the temptation to overthink choices, and gain something truer, more authentic, alive.

I always start plein air painting with the same thought: This is going to be a mess.
And then, somehow, it isn’t. It surprises me. It becomes something I never imagined—and something I love.

A Return to the Senses

The smell of pine needles, the whisper of leaves, the texture of paper warmed by sunlight — plein air painting pulls me fully into the present.

There’s no overthinking. Just feeling. Just noticing. Just being. I don’t chase a finished piece. I chase presence.

Witnessing, Not Capturing

I don’t paint to “capture” anything — I paint to witness. A shadow that drapes across a stone. The way clouds dissolve light. The energy of a place. The silence of it.

These sketches, loose and imperfect, become touchstones — reminders of how I lived that day.

A Kind of Prayer

Plein air painting is a spiritual practice. It teaches humility. You can’t command the clouds. You can’t hold the sun in place. But you can be there. You can listen.

Some paintings come home with me. Some don’t. But the time I spend out there — listening, seeing, being — is the real art.

—

I’ll write more soon about the tools I use and how I navigate painting outdoors, surrounded by people and unpredictability.


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A Compass with Two Norths
Apr 30, 2026
A Compass with Two Norths
Finding the Light (and the Shadows)
Apr 04, 2026
Finding the Light (and the Shadows)
The Versatility of Viridian: Unlocking Nature's Greens in Your Palette
Aug 30, 2025
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© 2026 María Ayllón | Boulder Creek, CA

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